Tattooed Love Boys

Album: The Pretenders (1980)
Play Video

Songfacts®:

  • This song is about the sexual assault committed by a biker gang against Pretenders leader Chrissie Hynde. While hanging out with a friend, she was asked to go to a "party" with some guys from a local biker gang. Her friend declined, but Hynde went along with the bikers.

    She takes full accountability for the attack. In her book Reckless: My Life as a Pretender, she wrote: "Now let me assure you that, technically speaking, however you want to look at it, this was all my doing and I take full responsibility. You can't f--k around with people, especially people who wear 'I heart rape' and 'On Your Knees' badges."
  • While she was being attacked, one of the assailants said, "Shut up or you're going to make some plastic surgeon rich!" She paraphrases that threat in the lyrics:

    You know what they say:
    "Stop snivellin', you're gonna make some plastic surgeon a rich man

    >>
    Suggestion credit:
    Andy - Berkley, MA, for above 2
  • This frantic track makes a sudden stop at the 1:22 mark before going into a wild instrumental breakdown, then ending at a hard 2:59 with a cold ending when Hynde sings, "You are that."

    Like most Pretenders songs, Hynde wrote "Tattooed Love Boys" on her own and worked it out with the band, doing it by feel. Without much structure, it made for some unorthodox musical moments like the false ending. She developed a kind of telepathy with her drummer, Martin Chambers, who was able to follow along.

    "I can understand her way of doing it," he told Sounds in 1980. "Take 'Tattooed Love Boys' where there's a gap. Normally you'd count the beat through the silence so you can all come back in together. But not with Chrissie. No count, no way. It lasts as long as she wants it to last."
  • There is no chorus in this song, and the title is mentioned just twice in the lyric. That's not the formula for a hit, but it is classic Pretenders. The song has appeared off and on in their setlists throughout their career.
  • This was part of the first Pretenders album, which many count among the greatest debuts in rock. It was most successful in the UK, where Hynde formed the band after moving there from America in 1973. The big hit from the album was "Brass In Pocket," which went to #1 in the UK and became a mainstay in America, thanks in large part to the video. The album also hit #1 in the UK.
  • Chrissie Hynde waited until 2016 to explain this song, which is understandable considering the subject matter. She typically stayed away from interpreting her lyrics, leaving that task to the listener (she also wanted to limit inquiries into her personal life). This song proved especially vexing, especially the line, "I shot my mouth off and you showed me what that hole was for."
  • This first appeared in June 1979 on the B-side of "Kid," which was the second Pretenders single in the UK. The album was released in January 1980.

Comments: 6

  • Ariesfire from IndianapolisShe didn't say she deserved it and she didn't say she expected it to happen. She said looking back on it how could she not have expected it to happen... huge difference.
  • Scottman from IllinoisChrissie is so badass. She takes full accountability and actually turned a horrifying experience into an awesome song.
  • Realist from OhmtownAt first, I was like, you can't just rationalize for the sake of the rapists. The comment about the patches, tho, and I was like, well, if that's what she was expecting ... . It's not good to encourage true rape, but I'd say we're into the territory of consenting adults here, and those who like it rough. Screw the comment about the patriarchy; as if tolerance of rape had ever officially been part of it. This song is sorta anti-politically correct about the subject. A female version of Cobain's "Rape me!" (although not an always open invitation).
  • To-notsosmartone.. from CaHaha.. she didn't say she deserved it.. she said she knew what was going to happen with this encounter.. like what would you expect when a gang of bikers are wearing I heart rape tattoos?

    I'm sure those dudes took full responsibility for what they did.. just as she did..
  • Smartone from MichiganMaking a woman believe rape is her fault is precisely how patriarchy works. Rape is the fault of the rapist. I'm sad that she bought the patriarchal lie.
  • Big Jilm from DallasWow, that's an incredible history to the song, now I have to go look at all their songs for the origin!
see more comments

Editor's Picks

Sam Phillips

Sam PhillipsSongwriter Interviews

Collaborating with T Bone Burnett, Leslie Phillips changed her name and left her Christian label behind - Robert Plant, who recorded one of her songs on Raising Sand, is a fan.

Danny Clinch: The Art of Rock Photography

Danny Clinch: The Art of Rock PhotographySong Writing

One of rock's top photographers talks about artistry in photography, raising funds for a documentary, and enjoying a County Fair with Tom Waits.

Sugarland

SugarlandSongwriter Interviews

Meet the "sassy basket" with the biggest voice in country music.

The Real Nick Drake

The Real Nick DrakeSong Writing

The head of Drake's estate shares his insights on the late folk singer's life and music.

Al Jourgensen of Ministry

Al Jourgensen of MinistrySongwriter Interviews

In the name of song explanation, Al talks about scoring heroin for William Burroughs, and that's not even the most shocking story in this one.

Director Wes Edwards ("Drunk on a Plane")

Director Wes Edwards ("Drunk on a Plane")Song Writing

Wes Edwards takes us behind the scenes of videos he shot for Jason Aldean, Dierks Bentley and Chase Bryant. The train was real - the airplane was not.