Release The Bats

Album: Junkyard (1981)
Play Video

Songfacts®:

  • The weaponization of bats isn't even the weirdest thing about this song. The bigger question is: what's all the stuff about the sex machine?

    Lyrically and musically, "Release The Bats" is quirky, unbalanced, and irreverent. As the title suggests, it's about unleashing aggressive bats, some of which explode. They are sicced on a woman and sent directly up her skirt. As the story develops, the woman is identified as a "sex vampire" and a "cool machine," and may or may not be a robot of some sort.

    baby is a cool machine
    she moves to the pulse of her generator


    There's no way to tell for sure.
  • "Release The Bats" is a parody of bad goth music and was an inside joke about how the Party was being unwillingly associated with goth. Despite The Birthday Party's best efforts, the song ended up influencing the genre anyway, and got theme even more firmly entrenched as a "goth band," which irritated them to no end.
  • Band members Nick Cave and Mick Harvey wrote "Release The Bats" when they were in their early 20s. Both men continued collaborating throughout their careers, most notably in Nick Cave and the Bad Seeds. Harvey also played bass drum on the track while Cave sang.
  • "Release The Bats" didn't break into the main charts, but it reached #3 on the UK Indie Chart.
  • The Birthday Party released this song as their first single on July 31, 1981, with "Blast Off" as the B-side. The advertisement for the song read: "Dirtiness is next to antigodliness."
  • At first, the song wasn't intended to be recorded, even though it was a staple of The Birthday Party's live act. Harvey said that the recording "happened almost by accident."
  • The studio version was recorded at Townhouse Studios in London, which housed the likes of Queen, Duran Duran, Peter Gabriel, Phil Collins, Elton John, and many others. The song was first recorded during a live session with John Peel, a legendary UK DJ.
  • The Birthday Party included the song on their final studio album, Junkyard, in 1982.
  • "Release The Bats" was sung by Nick Cave with an Elvis shiver and hysterical horror exhortations. "We'd learnt rockabilly from Link Wray and the Melbourne pub scene and Nick was incredibly into early Elvis," drummer Phil Calvert told Uncut magazine. "'Release The Bats' is almost a comic poke at that sort of vibe, with a lot of attitude."
  • Though it became a goth staple, the band struggled to take this song seriously. "I'd written the music," Harvey said. "Nick started singing the words and it all just fitted together. We were in fits of laughter because it was just preposterous. Very exciting, but it's a really silly song."

Comments

Be the first to comment...

Editor's Picks

Phone Booth Songs

Phone Booth SongsSong Writing

Phone booths are nearly extinct, but they provided storylines for some of the most profound songs of the pre-cell phone era.

Annie Haslam of Renaissance

Annie Haslam of RenaissanceSongwriter Interviews

The 5-octave voice of the classical rock band Renaissance, Annie is big on creative expression. In this talk, she covers Roy Wood, the history of the band, and where all the money went in the '70s.

Charlie Benante of Anthrax

Charlie Benante of AnthraxSongwriter Interviews

The drummer for Anthrax is also a key songwriter. He explains how the group puts their songs together and tells the stories behind some of their classics.

Dennis DeYoung

Dennis DeYoungSongwriter Interviews

Dennis DeYoung explains why "Mr. Roboto" is the defining Styx song, and what the "gathering of angels" represents in "Come Sail Away."

Desmond Child

Desmond ChildSongwriter Interviews

One of the most successful songwriters in the business, Desmond co-wrote "Livin' La Vida Loca," "Dude (Looks Like A Lady)" and "Livin' On A Prayer."

Martyn Ware of Heaven 17

Martyn Ware of Heaven 17Songwriter Interviews

Martyn talks about producing Tina Turner, some Heaven 17 hits, and his work with the British Electric Foundation.